Cultural Capital: Smoke and mirrors
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IT’S SAID THAT a good magician never reveals their secrets. It’s the unspoken covenant that binds the five-year-old in the top hat with Harry Houdini: the smoke and mirrors. The art world turns on a similar agreement. From the canonising of the artist to the consecrating of the gallery to the ordaining of curators, the art world keeps a tight grip on the chalice of cultural capital.
Yet despite all of these elaborate ceremonies, the whole enterprise is under- pinned by a few simple tricks. From the outside these illusions dazzle, but as soon as an insider tells you about the card up the sleeve, the whole thing begins to fall apart. The real question is do you actually want to know? Do you really want to be disappointed? If so keep reading, because we always disappoint.
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